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France-Lise McGurn, Daydream and Drunkenness, 2019 #ImageOfTheDay
“Drawing is the quickest and most instantaneous route in. I’ve always been really drawn to these ephemeral elements: notes and love letters”. https://t.co/EMaQr6HTPV
Berlin-based Frieda Toranzo Jaeger explores the car as a symbol of sexuality, reclaiming it from the archetypal masculine realm to become something that is intimate, private and sensual.
The Rising Art Stars of 2020: https://t.co/sdm3btestH
Who Were the Art World’s Biggest Crushes of 2019? https://t.co/qSOvGPEhzQ
Eden Seifu’s work is a fantastical exploration of spirituality in a secular age: https://t.co/lGUKV2HGF1
Don't miss Nick Dwyer's out of this world (sorry) art at @_ElephantWest.
Until 30 June: https://t.co/eWoS1LJ8zK
Big Boned?
Kristina Schuldt’s women are high-heeled, heavy and heroic: https://t.co/f3qqIFaueY
“Fear is a paralysing and ultimately destructive force. All of us, male, female and otherwise, have an opportunity at this point in time to come together.” - @beccapf, curator of @_ElephantWest.
https://t.co/J4KqYXL2Ur
"Everyone is a curator these days." In her new column @beccapf discusses what it means to be a curator in the traditional sense: https://t.co/K7i8pOwZbk
How Patrick Procktor, a key figure in the legendary bohemian set of London in the sixties, and contemporary British artist Neil Haas explore the intimacies of the unguarded moments of queer experience: https://t.co/MKd6qFcASs
“I want to show that women have been suppressed. Sewing helps me to articulate this problem.” Ghada Amer discusses embroidery, mainstream beauty and creating ceramics with her unfamiliar left hand. https://t.co/AYs7xCD91S