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🐘 Life Through Art 📖 Visual culture magazine online + in print 💻 ORDER NOW #Issue48: Autumn Winter 2022
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France-Lise McGurn, Daydream and Drunkenness, 2019

“Drawing is the quickest and most instantaneous route in. I’ve always been really drawn to these ephemeral elements: notes and love letters”. https://t.co/EMaQr6HTPV

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Berlin-based Frieda Toranzo Jaeger explores the car as a symbol of sexuality, reclaiming it from the archetypal masculine realm to become something that is intimate, private and sensual.

The Rising Art Stars of 2020: https://t.co/sdm3btestH

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Who Were the Art World’s Biggest Crushes of 2019? https://t.co/qSOvGPEhzQ

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Eden Seifu’s work is a fantastical exploration of spirituality in a secular age: https://t.co/lGUKV2HGF1

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Don't miss Nick Dwyer's out of this world (sorry) art at .

Until 30 June: https://t.co/eWoS1LJ8zK

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Big Boned?

Kristina Schuldt’s women are high-heeled, heavy and heroic: https://t.co/f3qqIFaueY

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“Fear is a paralysing and ultimately destructive force. All of us, male, female and otherwise, have an opportunity at this point in time to come together.” - , curator of .

https://t.co/J4KqYXL2Ur

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"Everyone is a curator these days." In her new column discusses what it means to be a curator in the traditional sense: https://t.co/K7i8pOwZbk

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How Patrick Procktor, a key figure in the legendary bohemian set of London in the sixties, and contemporary British artist Neil Haas explore the intimacies of the unguarded moments of queer experience: https://t.co/MKd6qFcASs

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“I want to show that women have been suppressed. Sewing helps me to articulate this problem.” Ghada Amer discusses embroidery, mainstream beauty and creating ceramics with her unfamiliar left hand. https://t.co/AYs7xCD91S

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