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Oviraptor. Ink and gouache on Fabriano Medioevalis, 132 × 85 mm. Original artwork available. £170 + £5 UK tracked postage, or +£10 International. 🙏 https://t.co/RG9JhDll0c
Faces: ungulate, saurian, avian, and human. https://t.co/BrAKtPyTCm
This piece is still available and I, not putting too fine a point on it, am in serious need of funds. 🥲
£700 or best offer. 🙏
Mrs. Jennings. Illustration for Jane Austen's Sense and Sensibility, published by Palazzo, 2011. Watercolour on Arches cold pressed, 192 × 282 mm.
@Primal_Creation I've actually been thinking of doing one! This is a _really_ old piece. I'm slightly shocked I hadn't done another since, especially as Leaellynasaura is a favourite of mine.
'Come fill the Cup, and in the Fire of Spring
The Winter Garment of Repentence fling:
The Bird of Time has but a little way
To fly – and Lo! the Bird is on the Wing.'
~ Quatrain VII, Edward Fitzgerald's translation of Rubáiyát of Omar Khayyám
A sparrow with a colour mutation called 'brown': the incomplete oxidisation of eumelanin, resulting in a pale 'golden' appearance. Watercolour referenced from a photograph by @ChrisDPiazza, 2021. Apparently (and shockingly) the only sparrow painting I've made.
#WorldSparrowDay
That'll be the Brontësaurus, I suppose. 🤔 Inasfar as it could be called 'iconic' at all. https://t.co/YUdRX2uRgm
And I haven't been able to not ugly-cry at the Pilgrim's Chorus yet. Just one of those incomprehensibly numinous, enveloping musical powers.