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"The Woman Who Understood Everything"
(Acrylic/colored pencil on panel, NFS)
Here are some more Bresslern Roth pieces, all, again, reduction linocuts
I know the unforgiving endless scroll has reabsorbed that museum director saying that the way art was made doesn't matter, but in case anyone was still in need of convincing that it does, in fact, matter how art was made:
these LINOCUT PRINTS by Norbertine von Bresslern Roth
"I am the True Grape" Ostap Lozynsky
"St. Bartholomew" Matteo di Giovanni
"St. Valerie of Limoges" Jacques Laudin II
Central panel of the Gertz Memorial Triptych (after) Hugo van der Goes
"John the Forerunner, Angel of the Desert" Lyuba Yatskiv
"The Prophet David" Lyuba Yatskiv
"The Lord's Entry into Jerusalem" Svatioslav Vladyka
"Christ and St. John" Ivanka Demchuk
Is it already #PortfolioDay again? I'm a relief printmaker working days at a fine arts supplier, with a focus on medieval imagery!