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This image has a special place in my heart - Michael Hague's Riddles in the Dark, from the 1986 #Tolkien Calendar. As a fledgling teenage fantasy artist this inspired my very first Tolkien oil painting - Bilbo with Sting, same red waistcoat, same green cloak, just not as good...
As an illustrator and (ex) gamer, it was inevitable that one day I would be asked to paint a Space Marine. Actually, I ended up painting several, from different Chapters. Working from miniatures was a pain, however. Pic 2 has been cropped, it's far too gruesome for a Sunday :)
Time for our weekly fix of Angus McBride, old school illustrator who does what it says on the tin. First up a beautifully lit depiction of Treebeard sharing a draught with Merry and Pippin (c.1990). Second, a trademark McBride rumble from Treason at Helm's Deep (1988) #Tolkien
The potential evolution of a visual motif in a Tolkienian context Part 5 - Paragraph ornament by Edward Johnston in Writing & Illuminating & Lettering (1908). Decorative frieze featured in the illustration Glorund sets forth to seek Túrin (1927) by #Tolkien
#Tolkienart #motif
In a pivotal scene from #LordoftheRings, Michael Kaluta (1993) and Angus McBride (1990) depict Éowyn, Théoden and the Witch-King together on the battlefield. Roger Garland (1983) depicts only the latter. Why? Read my blog post for one possibility https://t.co/pwZD2t4H73
#Tolkien
That feeling when an indecipherable piece of your #Tolkien visual research suddenly clicks. My brain earlier today :)
#phdlife #illustration
And today - the potential evolution of a visual motif within a Tolkienian context Part 1. Eärendil's device by #Tolkien (c. 1960), Pennsylvania Dutch Hex sign common to Berks County (re-painted c.1970s), compass rose by Karen Wynn Fonstad (1981) from The Atlas of Middle-earth