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Sad news: RIP Andree Melly, 87, one of the title exsanguinatory enchantresses in one of my favorite films and one of director Terence Fisher's masterworks, Hammer's THE BRIDES OF DRACULA (1960). Also appeared in Fisher's Charles Addams-inspired 1964 comedy, THE HORROR OF IT ALL.
Considering the mania for selfies and social media self-exposure, I’m surprised more new horror movies don’t exploit one of the genre’s most potent sources of anxiety, the fear of disfigurement. Represented here by the striking shock faces of FRANKENSTEIN’S DAUGHTER (1958).
Watched SONG OF THE SOUTH for the second time (the first was its final theatrical reissue, in 1986). So much to unpack, no wonder Karina Longworth last year devoted six episodes of her podcast to it.
love old poverty row movie company logos. don’t think I’d seen this one before
Memphis: DOLEMITE IS MY NAME by your city's own Craig Brewer becomes available on Netflix today. Better yet, you can still see it with an audience - it's still at the Malco Paradiso, where it begins its 4th week today: https://t.co/GI6t9yXrAA