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#OTD in 1927
‘SPEED in Turnover of Merchandise - Resulting in Lower Costs to Purchasers - is Assured by Certain-teed’s Scientific Methods of Selling and Distributing Products’
Illustration by Herbert Paus (1880-1946)
#illustrationart #illustrationartists #HerbertPaus #Certainteed
planned voyages of Columbus - so has present development been due to scientific discoveries, new inventions and new methods.
The Certain-teed Products Corporation, in step with progressive ideals of American industry, carries on continuous research & scientific investigation. ...
@_die_Uta_ @bgv_online @dianadep1 @albertopetro2 @Rebeka80721106 @Petra71301259 @agustin_gut @BrindusaB1 @AnnaCountessK @HeinzRudolf155 @kh_hildreth @carmelitequotes @scastaldi9 ‼️🙏 Thank you, carissima. Hope you - and our friends - can look forward to weekend scenarios like these from Leyendecker - excitement, contemplation, creation and relaxation. Enjoy!
@Rebeka80721106 @dianadep1 @1Atsuhimerose2 @angelicadisogno @marmelyr @neblaruz @ampomata @BrindusaB1 @peac4love @vvgcabras @djolavarrieta @ritamay1 @scastaldi9 @artmajcar @cristob45 @maluisa_3 @albertopetro2 @aleossa @ceconomou56 @kamabi @monicasloves @AlessandraCicc6 @arteeblog @karmendida @franciscamarti5 @mariatontini1 @MariangelaSant8 @AnnaCountessK @paoloigna1 @Adam_Sung @emanuelaneri_ @_die_Uta_ @SalaLettura @LuciaTassan @DavLucia @Biagio960 @MenschOhneMusil @Asamsakti @JeanetteJoy @JohnLee90252472 @JohnDante_ @HeinzRudolf155 Such lovely illustrations of such a profound truth - and on this particular day. Thank you, dear Rebeka!
‘Sunset, West Twenty-Third Street’ John French Sloan (1871-1951). Oil on canvas. 1905-1906.
#OTD in 1940
(water hazard)
Cover of The New Yorker, January 27, 1940
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #golf #golfer #golfcourse #alligator
@Rebeka80721106 @albertopetro2 @smarucci461 @BryanMatthews23 @cmont4560 @anne_camozzi @DavLucia @dianadep1 @agustin_gut @djolavarrieta @RitangelaPrivi1 @ValerioLivia @cecchi_giovanna @PaolaToogoodxme @Sensibilia8 @ANNAMAMARIABIA1 @Biagio960 @hayertalbe @paoloigna1 @GuagnanopPaolo @Dominiquepucini @EnricoCastrovil @yianniseinstein @smc_su @marmelyr @POKI33847251 @StellaAmato4 @Miti_Vigliero @CasaLettori @hayertalbema3ak @martinis2018 @PasqualeTotaro @_die_Uta_ 🙏 Buona serata e buona notte a tutti
‘The Fugitive’ John Steuart Curry (1897-1946) Lithograph 1935
Smithsonian American Art Museum
#OTD in 1946
trying on new oriental sandals
Cover of The New Yorker, January 26, 1946
Julian de Miskey
#TheNewYorkerCover #JuliandeMiskey #interiordesign #interiordecoration #womensfashion #footwear
@BryanMatthews23 @carmelitequotes @kh_hildreth @DelficaW @scastaldi9 @Rebeka80721106 @_die_Uta_ @anne_camozzi @HeinzRudolf155 @DanielVanGeel @catyalesson @JohnDante_ @yianniseinstein @couttetlovera @Giorgio51589046 @neblaruz @Sensibilia8 Thank you, Bryan, for the irresistable call of the beautiful, you - together with all our friends (aren’t they fabulous?) - disseminate!
‘Venus and Adonis’ Titian (Tiziano Vecelli or Vecellio) (ca. 1488/90–1576). Oil on canvas. Naples, National Museum of Capodimonte. 1545-1546.
#OTD in 1942
#PrinceValiant by #HalFoster
No. 259 - 25 January, 1942
6: .. . . . . . He bursts through the thickets and there, facing him with bared fangs and the malevolent glare of a demon, is an ogre of such terrifying aspect that Val’s brave heart quails within him.’
6: ‘. . . . . . He bursts through the thickets and there, facing him with bared fangs and the malevolent glare of a demon, is an ogre of such terrifying aspect that Val’s brave heart quails within him.’
‘Next Week - The Battle’
#PrinceValiant #HalFoster