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Welcome #Spring!
Watercolor by David Edward Cronin. Bound as p. 12 in vol 4 of M.C.D. Borden's extensively extra-illustrated copy of “Horace Walpole and his world” ed. by L. B. Seeley, 1884. https://t.co/aWN24BcbSj
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#OTD 1771 Mann wrote to Walpole that Thos. Patch "is a genius...[with] an excellent turn for caricatura...but he is so prudent as never to caricature anybody without his consent"https://t.co/ccXJNH92iI. We have 4 Patch caricature groups including 2 painted at Mann's.
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Pub’d #OTD 1788 “The Word Eater” Fox, an “Extraordinary Phenomenon is just arrived from the Continent... He eats single words & evacuates them so as to have a contrary meaning...he can also eat whole sentences &...produce them...with a Double Different or Contradictory meaning.”
There’s a lot going on in this mezzotint with etching by John Simpson published #OTD, depicting George III as “The botching taylor cutting his cloth to cover a button.”
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https://t.co/6eKC24P7Cu
Companion prints of tailors published #OTD 1773 "Snip Francois" and "Snip Anglois" James Bretherton printmaker & publisher, Henry William Bunbury artist. Hand-colored etching with drypoint.
#YaleLibrary
https://t.co/T1BYu5gqM8
https://t.co/phpk7409nY
#OTD 1783 William Pitt became Prime Minister at age 24. Nine years later he appeared, with his unmistakable features & figure, in Gillray's print "John Bull bother'd:-or-the geese alarming the Capitol" published also #OTD by Hannah Humphrey.
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https://t.co/V9ql2oMO6h
Published #OTD “Le trénis contredanse” London Pub. Dec. 12, 1818 by S.W. Fores, 50 Piccadilly & 312 Oxford St. (left). The BM has a corresponding print (right) published in Paris in 1802-12.
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LWL: https://t.co/seW1UGNP8C
BM: https://t.co/DvNC5YGlht
Pub'd #OTD 1800 "The Vision of the 3 Cats" George III as the sultan "...The fat Cat represents the thriving s[t]ate of your Ministers-the lean Cat is a Symbol of the People-& the blind Cat, is an emblem of the most magnificent Sultaun himself" #YaleLibrary https://t.co/88FNLbmZBj
For this #MuseumsUnlocked here are a Hogarth 1st state & some Hogarth #CastsCopiesandForgeries. LWL Curator Cynthia Roman wrote about "Copying The Sleeping Congregation" in "Hogarth's Legacy" (Yale Univ. Press 2016). Can you tell which of these is the Hogarth print?
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@MuseumsUnlocked We love the Fuseli "Night Mare." Apparently the late 18th-century satirists did too:
#MuseumsUnlocked (Day 108 Part 2)
https://t.co/ZudJYuX4r4
https://t.co/fwWwO5N7aB
https://t.co/Krx559S9BO
https://t.co/P1tWvMd0Ik