Lonnie Nadlerさんのイラストまとめ

If there's one thing I've learned from years of consuming Clive Barker's work it's that one need not limit themselves to a single medium. Each one – be it comics, prose, painting, poetry, or filmmaking – offers a unique set of tools, and in the end, it's all storytelling.

I've just read KA-ZAR LORD OF THE SAVAGE LAND #1 and it is exactly the kind of superhero book we need more of. Pulpy, fun, and pushing old characters to strange new places.

Monday (08/16) is the last day to preorder and you'd be wise to do so.

Our neo-Western series ends tomorrow in...

UNDONE BY BLOOD or THE OTHER SIDE OF EDEN #4

This book has always been about our relationship to the stories we consume. Fittingly, it's impacted my life in ways both unpredictable & profound. I'll miss it dearly, until we meet again.

Next week, we close the cover on UNDONE BY BLOOD.

This issue means a lot to the entire team. If any friends, pros, press, etc. want an early look, please DM me. Collected vol. 2 should be out this Fall.

The MAGNETIC ROSE segment of MEMORIES is one of the most staggering pieces of animation I've ever seen. Trucker sci-fi meets Gothic ghost story. Written by Satoshi Kon, directed by Kōji Morimoto, based on a story by Otomo.

Zac and I try really hard to conceive creative layouts in our scripts, but some things just can't be scripted. This coin toss layout by @sami_kivela is one of those things.

The final issue of UNDONE BY BLOOD or THE OTHER SIDE OF EDEN is in shops June 30.

@thehorrorchick Horror writer here! You can check out my graphic novels like Black Stars Above (Cosmic folk horror), Come Into Me (body horror), and The Dregs (horror noir).

“We’re like the mockingbird that can sing in many voices.” - Diane Dillon

Appreciation thread for Leo & Diane Dillon, a husband and wife illustration team who worked seamlessly together on fantasy, sci-fi, and children's book covers.

The result is the world of TWILIGHT, in which superheroes have become governing forces out of necessity (again, pretty well what happens in Gaiman’s follow up to Moore’s Miracleman). 17/?