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Long story short:
Silent era audiences liked the same suspense cliches that modern audiences enjoy.
"Give me back my daughter!"
"Stop that heist!"
"Run from the mad killer!"
"No, not that way! Now we're trapped!"
@JRBloomfield I believe he got introuble for plagiarizing the scene from Augustin Daly's Under the Gaslight... which featured a fella tied to the tracks!
Modern Movies: "Those silent movies and their melodrama villains!"
Silent Movies: "Don't look at us! The Victorian stage!"
Victorian Stage: "Are you kidding? We heckled them!"
Hot potato, hot potato
And if you want to talk about two hour territory, you must bring Denmark and Italy into the conversation. Both comfortably broke through two hours in 1913.
I haven't had this much fun since the Russian and the German archivists argued about how many frames of BATTLESHIP POTEMKIN were originally hand-colored.
Dainty dishes from Jello. I forget the original publication date but 1900-ish.
I am reminded that I must obtain the swirly seashell mold in the upper left corner of the second image.
I review THE LEOPARD WOMAN (1920), an absolutely ridiculous espionage picture set in Northern Africa. The extravagant costumes can't save the terrible story.
https://t.co/1yeO7GkjpD
TIL there was serious anti-Dachshund propaganda during the world wars due to the breed's noted German ancestry.