Paula Rockhardさんのイラストまとめ

The arms are treated as a unit. The right hand "completes" the energy of the left arm.

We see the extended alongside the compressed. You could say these are "complimentary actions." An extended thing looks MORE extended when sat next to a compressed thing and vice versa.

The "trickle-down" of oppositional movements within the macro movement.

>@Skimpy_Imp gets flow. Gets rhythm.

Most of the detail/activity is here. The "thesis" of this piece is its generous upskirt panty shots. It has a point and it makes it several times over.

The baton, which is forcefully bent, shows "drag" with the end fluff. We feel the whip motion.

Dimensionally, we have "near" stuff and "far" stuff.

Oft-neglected "bottom planes" are well represented.

Spatially, the repeated figures at the bottom form a "drum" enclosure. They explain the area the main figure sits in.

Some aspects of the main figure (and even that background star graphic) "belong" the that horizontal arc. They're part of that movement!