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The Pre-Raphaelite Society is the international society for the study of art of the Pre-Raphaelite movement and its followers. pre-raphaelitesociety.org
pre-raphaelitesociety.org

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Huge thanks to Dr Margaretta Frederick for speaking to us on Saturday. There is no August PRS Zoom event due to holidays but look out for our September talk on Goblin Market! Did you know that recordings of past lectures are also available via our website? https://t.co/FAtYC4D8Pp

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2 exciting online events from this week! Tomorrow 12.30-1 pm join them for a tour of the current De Morgan exhibition & on Friday 12-1pm Postdoc Research Fellow discusses their automatic writing & Spiritualist beliefs: https://t.co/1FZZU8VYVK

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Heroine, Horse & Hair! Lady Godiva & her well-known but apocryphal ride through Coventry for this week's by John Collier (1897), Marshall Claxton (1850), P Pargetter for Minton Pottery (all Herbert Art Gall Coventry) & Jules Joseph Lefebvre (Musée de Picardie)

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But blowy? It’s 24mph winds here in Scotland today so up & away with windswept Fairies by Arthur Rackham for this week's along with a sketch by Millais in which he jostles with the weather whilst painting at the Brig O' Turk in 1854. Hold on to your hats (& easels!)

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Fatigue for this I’m not feeling good, how are you? (Bonus points if you reply with artworks that show us how you are.)

These are preliminary sketches by Edward Burne-Jones for his ‘The Legend of Briar Rose’, Sleeping Beauty, series.

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This week’s evocatively painted by Mary F Raphael (1898), is from Spenser’s Faerie Queene, Book IV, Canto 1: “Princess Britomart, disguised as a knight, fulfilling a vow to her absent lover, rescues the Lady Amoret from durance vile by slaying the monster Busyran."

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Midsummer Magic: this week's is that of Shakespeare's 'A Midsummer Night's Dream' with enigmatic paintings by Edwin Landseer (1851), Joseph Noel Paton (1849), Richard Dadd (1854-8) & John Simmons (1870).

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In honour of June being this is dedicated to representations of characters Rosalind and Celia in Shakespeare's play ‘As You Like It’ and how artists chose to represent the emotions these women feel for each other.

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1/2 In honour of June being LGBTQ+ this is dedicated to representations of Shakespeare’s characters Rosalind and Celia in ‘As You Like It’ and how artists chose to represent the emotions these women feel for each other.

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Mirror mirror...this week's is all about revelatory reflections as featured in Holman Hunt's 'Awakening Conscience' (1853), Ford Madox Brown's 'Take Your Son, Sir!' (1856), Rossetti's 'Lady Lilith' (1873) & Sidney Meteyard's 'I am Half-Sick of Shadows' (1913)

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