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THE JOURNAL FOR PRINT LOVERS
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NOW ON: 'Women on Paper' at (until 5 June 2023), showcasing the extraordinary works on paper by women artists across four centuries.
Shown here is Magdalena van de Passe's print after a Rubens painting, who trained with her brothers in the family publishing business.

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Last few weeks of two-room exhibition at Wallraf-Richartz-Museum & Fondation Corboud in Cologne on the theme of reading and writing. Subtopics include: letters, parchment, newspapers. Curated by the actor and writer Hanns Zischler (until 15 January 2023)

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CLOSING SOON: 'Goya. Yo lo vi – Ich sah es – I saw it' at Sammlung Scharf-Gerstenberg, Berlin (until 16 November 2022), featuring over three dozen Goya prints and his 4 print cycles.
Below: Francisco de Goya, 'Yo lo vi (I saw it)', 1799, etching

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CURRENTLY ON: Spowers & Syme at (until 16 October 2022), about two pioneering women in Australian modernism and their innovations in linocut.
Below: 'The Factory' (1933) and 'Skaters' (c.1933)

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of 'Printmaking in Prague: art in the court of Rudolf II' at (until 28 Aug 2022). Highlights include sumptuous 'Bacchus and Ceres' (after

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Spanning the artist's entire career, 'Virtual Realities: The Art of from the Michael S. Sachs Collection' at (until 5 September) featuring the artist’s sometimes unsettling works which have become icons of the 20th century.
Below: 'Bond of Union' (April 1956)

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REMINDER: There's still a week left to see RE Original Prints 2022 at , the annual show of the (until 10 June 2022). Daily, 11am-6pm

Shown here, 'Caissa's Move' by

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Fifty works on paper from the US from 1945 to the present in the exhibition 'Into the New' on view in Frankfurt until 17 July 2022 - Here Chuck Close, Selfportrait and Kara Walker from 'An Unpeopled Land in Uncharted Waters'

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OPENS TODAY: RE Original Prints 2022 at , the annual show of the (until 10 June). Daily, 11am-6pm

Shown here, 'Caissa's Move' by

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Here is an image by an anonymous artist, titled 'Sacrifice de Napoléon Bonaparte, 18 Juin 1815'. It is one of the many satirical prints published anonymously in Paris in 1814 and 1815. For an exploration of some of the printsellers involved see Print Quarterly's March 2022 issue

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