Professor Junさんのイラストまとめ

Gem of the Day 💎
By @josiahfarrow

The diagrammatic structure of @amber_vittoria's paintings seems to bring them closer to the schema - a simplifying mode of representation that begins by abstracting a number of its properties from perception.

Each piece is like a force field in which a whole range of chromatic actions and reactions can occur. From this point of view, her visual language seems to me close to that of Sonia and Robert Delaunay (even if there is a remarkable difference between Sonia's and Robert's work).

Sometimes the colors are separated only by small intervals - we can say that they have a neighboring or close vibration, which is expressed by a contact or by a continuity that is almost without transition.

Good morning.

I am a self-taught digital artist! In the past I have done oil painting and other physical mediums but these days I have found my calling as a artist who mostly does vector work.

There is an invariant found in the different "styles" of @omentejovem: the color orange, which is between yellow and red on the visible light spectrum.

In the associative traffic of any viewer, color carries heat, fire, energy, party, devil, sun at its rising and setting.

In the second case (surrealism à la Miro), the symbols fragment - and with them the idea that the essential is hidden - and the conflict between line and color deepens and becomes more radical.

Let's go further: color and line come into conflict with themselves.

...the play of colors based on the contrast of blue (night) and yellow (light) accentuate this feeling of a dream to be interpreted.

The pictorial unconscious speaks in symbol.

I distinguish a "symbolic" moment, of an esoteric nature (close to Dali), a "surrealist" moment (close to Miro) and a moment of "chemical hallucination" (close to certain drawings by Henri Michaux).