Pulp Librarianさんのプロフィール画像

Pulp Librarianさんのイラストまとめ


Curator of the art, history and fiction of old dreams.

フォロー数:3423 フォロワー数:161718

To mask their lack of authors Badger used a huge range of house aliases: Victor La Salle, John E Muller, Karl Zeigfreid, Chuck Adams, Tex Bradley, Trebor Thorpe, D.K. Jennings and Pel Torro were some of the many disguises that Fanthrope, Glasby and a few other writers hid behind.

2 25

Happy everybody! And in pulp that can mean only one thing... Badger Books!

It's a unique post-war British publisher with an amazing story. Let's take a look at it!

68 260

And then came COVID19...

Look, librarians are tough cookies. We fight on the front line of ideas every day. And we need you guys to back us up!

2 34

It's this week, so today I'm asking you to something very brave and noble.

I'm asking you to visit your local public library...

95 274

More great hair and gothic houses another time. Mind how you flee now...

9 64

And it was editor Philip Cody who used the techniques of marketing to turn Black Mask into a huge success. He built a strong relationship with the readers, asking them for ideas and feedback to help him shape the magazine to better match their tastes.

3 30

The world of Elric is also rich and complex, but not unfamiliar. The saga has been described as anti-Tolkein, unredemptive and Norse inspired. There is something in all of those assertions.

6 54

Elric is a hugely complex character; not quite a tragic hero, not quite an anti-hero. Moorcock's concise style in describing him in his world adds to the sense that an elegant but intense narrative is being offered to the reader.

6 44

Elric's story is both a 'voyage and return' narrative of his travels amongst humans and a 'killing the monster' tale of his struggles against his cousin Yyrkoon and indeed his own role as an Eternal Champion.

6 42

The story is written in an episodic, journalistic style. The unnamed narrator reports clearly on what he sees as the Martian invasion progresses: who, what, when, where and how. Yet he does not specify or reflect on why. And that is a great mystery.

2 42