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A jurist who likes learning and reading about the cultures and history of Tunisia🇹🇳 and the Maghreb and elsewhere /اللَّهُمَّ زِدْنِي عِلْمًا

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Paintings of Tunisian women by the late Tunisian artist Noureddine Khayachi (1918-1987).
"Le Rêve et le Violon"- 1966
"La Musicienne et sa Muse"- 1981

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A painting of Hussein II Bacha Ibn Mahmoud Ibn Mohamed Errachid; the 8th Bey of the Husainid dynasty of Tunis .

It was under his rule that the current Tunisian flag 🇹🇳 was adopted in 1831.

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Result:

The inhabitants of the plains (Arabs) are not only foreign conquerors but they are also uncivilized and nomadic, therefore they don't deserve to own the lands they live in & can't even cultivate them: the expropriation of their lands by the French was therefore justified

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🔍Focus on the Moors:

In earlier years it was said majority of the pop were moors.

But in order to justify colonialism & support the idea the region was uncivilized & in need to be enlightened by France they shifted the narrative & claimed moors were only a negligible minority.

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➡️ First step:

Divide most of the population into 2 main categories:

1) The natives: the Moors and the Amazigh

2) The non natives: Arabs.

In the source that inspired this thread, the french often used the terms Berber/Amazigh and Kabyle interchangeably.

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However, the movie didn't focus on religion nor specifically address the topic of religion.
Religion was merely part of the general setting.

Who would have thought that a Turkish movie depicting Turks & directed towards a 🇹🇷 audience would occasionally use religious references?

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Comment peut on délaisser des vêtements que l'on a jamais porté?

T'as le droit d'apprécier les vêtements d'autres cultures (j'avoue qu'en l'occurrence ils sont beaux) mais, ce que tu fais c'est de l'appropriation culturelle.

La Ghutra appartient au moyen-Orient, pas au Maghreb. https://t.co/dXJXFx7Fxn

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These modern buildings are cost effective and practical when it comes to housing a growing number of urban citizens.

However I still wish we didn't put the aesthetics of traditional architecture and our identity at stake when trying to answer these issues.

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📍Constantine and Timgad, Algeria

1) Gorge of the Roumel, Constantine
2) A game of draughts, Constantine
3) Market day, Timgad
4) The arch of Trajan, Timgad

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📍 Southern Algeria

1) Sunset
2) A nomad camp
3) A river of the Sahara
4) A caravan on the Sahara

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