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@The_PBS @AbeBooks No problem. I am also discussing a colour jukebox with a Lewes colourmaker.
[Louis-Bertrand Castel's "ocular organ", caricuature by Charles Germain de Saint Aubin, 18th century, Waddesdon, The Rothschild Collection (@nationaltrust )]
@ralphharrington Oh, we have two of her paintings at @BrightonMuseums !
This cartoon in the collection of @BrightonMuseums is more than a meter long, by the way and was recently cleaned and conserved for an exhibition about Jane Austen at the Royal Pavilion. #besthats #curatorbattle You can read more about it here: https://t.co/v2GL6lNKmn
Throwing my best Regency "hats" in the ring for #besthat themed #curatorbattle today. Here's some outrageous headgear in the shape of dragons, ships, ostrich feathers and lightning bolts: 'Lumps of Pudding', a cartoon from 1811 by William Heath after HW Bunbury @BrightonMuseums
My latest piece for the #100PioneeringSussexWomen @BrightonMuseums, a blog inspired by Anita Corbin's @FirstWomenUK project. This one is about the philanthropist Margaret Marriott, who built the Percy almshouses in Brighton. Portrait by Angelica Kauffman.
https://t.co/0H5m6VmNj3
It's not raining in the @royalacademy but I couldn't resist posing with my new purchase, an umbrella printed with Moses Harris's 18th-century colour wheel. Quite appropriate, having just had a meeting about an upcoming colour event.
(Not superstitious, btw)
My colour wheels and colour blots from Turner's age have made it to @TCMargate 's 'Turner: Adventures in Colour' exhibition. Opens Saturday.
The effect of shadow and sunlight: Pierre Bonnard, Landscape with Olive Trees (South of France) 1924 @CourtauldGall