Sesquicentennial Snarkさんのイラストまとめ

@JudithR1 @PSlatraigh ※ Text {https://t.co/0C4kN9XoZY}:
«He was black in the face, and they scarcely could trace
The least likeness to what he had been:
While so great was his fright that his waistcoat turned white —
A wonderful thing to be seen!»

※ Illustration {https://t.co/yqDQ00ewNU}

@Lapsedcat As a student (many years ago) I had a reproduction of this painting in my room. I still like it.

Arik Brauer - The Rainmaker of Karmel - Vienna 1964
Source: https://t.co/j8c98lBmB1 (Leopold Museum, Vienna)
About Arik Brauer: https://t.co/Vbst6XZVIQ

@zact554 It's Urizen. (I symmetrized him a bit.)

@StroobyCon Thank you!

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@BRex707 @ninnymonger @punsnparticles https://t.co/AHQetP092O is about what from my point of view Carroll's Boojum could be.

@anglican_net If engravers copy prints without mirroring, then their copies are printed in mirror view. Could it be that the print posted by @anglican_net is a copy made for a low cost edition of the “Herōologia Anglica”?

@occultb0t Symmetrized Urizen

@The_Cosmic_Web_

@VictorianWeb That reminds me of this masterful 16th century print (https://t.co/XTvpneJH6e):

@ArtDayByDay @MUnterlinden Matthias Grünewald played not only with my pareidolia. So probably I am not the first one who discovered the monstrous "face". I think that Gustave Doré saw it too.

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