The Gutter Reviewさんのイラストまとめ

When there’s no more room in hell...the dead will go to Heavy Metal!

.@AveryKaplan6 interviews writer @IamGeorgeRomero about the origins of his zombie stories Cold Dead War and The Rise at @HeavyMetalInk!

https://t.co/bDZN3aWjOC

“The element of change is in fact the only hope of salvation"

.@DialHForHagai discusses the 1970's and 2007 iterations of Omega the Unknown and the value in discovering oneself after being unmoored in the world around you.

https://t.co/HlUCMwSC0y

"[...] for all rational reason, there are few words to describe the ferocity and abandon with which Kennedy uses color."

@PunkRokMomJeans
explains why the 1990s Star Wars comics art by
@CamKennedyArt
supersedes any requirement of #StarWars fandom.

https://t.co/qhQnX5z0c2

"Despite all logic and evidence to the contrary “A Swingin’ Christmas Carol!” is the most perfect Christmas comic of all"

@graemem rings in the holidays with the campy Christmas fever dream of Bob Haney & Nick Cardy's 1967 Teen Titans Christmas Special!

https://t.co/xE7UPHvMMm

#OnThisDay in comics history the incomparable Carlos Ezquerra -- lauded @2000AD artist and co-creator of Judge Dredd -- was born!

Let's celebrate by taking a moment to truly admire the life and career of an absolute drokking legend.

https://t.co/8eB1ASJv6a

All hail @rafael_grampa.
https://t.co/8604qXA0zN

.@TheIanFleming's #JamesBond by the great #FayDalton. As the song goes, nobody does it better.

When Vaughn Bodè self-published Das Kämpf in 1963 at the age of 21, no one could foresee the radiant scope of his influence, nor how quickly that light would blink from existence. @threejane3 writes about the life and work of the #CheechWizard creator.

https://t.co/HWC6t80RaT

.@xaimeh’s Locas saga has built up from a pure punk beginning to a legacy unparalleled in modern comic books – a deep, enriching, and emotional series of stories about ordinary folk in an extraordinary world.

https://t.co/btuQsl4nE3

There’s a period of DC Comics, starting in the mid 1980’s and taking us to the early 1990’s, in which seemingly every comic-book looked good, looked exciting.

@tomshaps on colorists Julia Lacquement, Richmond Lewis, Adrienne Roy, and Lynn Varley.

https://t.co/tfR1xykuuw