Toadetteさんのイラストまとめ

It seems JT became more common precisely because he was fast. In 1972, he also wrote almost a whole tokusatsu, 緊急指令10-4・10-10, and much later he would be the main writer on Toei's Ikkyuu-san and even script all of Tsuchida Pro's Manga Nihonshi in addition to his dorama work.

I got blue from @Magicmew12! I deliberately picked a different country for each screengrab, aha; comment and I'll give a color~

By this time, Ōtake (who was part of Kondō's unit) had developed a peculiar drawing style; one key element was how he always delineated the insides of the characters' ears. Compare these first two shots of the dirty romance novelist with how Kondō drew him earlier in the episode:

Something new and special coming in less than a week! Hint: can you guess which Bakabon-Papa is drawn by Yoshifumi Kondō, which one by Osamu Kobayashi, and which one by Yūzō Aoki?

Inferiority Complex (Mindrák, 1981): a blackly-humorous short by the trio of animator Jaroslav Doubrava, art designer Adolf Born, and writer Miloš Macourek, about an intelligent dog and his hateful owner. Complete with a mellow jazz score by Karel Velebný! https://t.co/WMCRvkXeik

At one point the knights succeed in ravaging the house, killing the father. Even in tragedy, however, there's a glimmer of hope; thanks to the smallest child, the flames take vengeance on the knights, and they are joined by the father's spirit as the sons build their own lives.

The mysterious evil is revealed to be tyrannical knights who destroy the lands and lives of the poor, often transforming into princesses to lure the able-bodied into becoming pigs. The poor must rely on the titular flames, fed by firewood gathered in their toils, as guardians.

Pavao Štalter's Seven Little Flames (1975) is a beautiful, atmospheric, gritty fairy tale for the poor, complete with rich character animation by Štalter and Vladimir Jutriša, BGs by Srđan Matić in Štalter's own style, and a marvelously evocative score by Tomica Simović.

In the meantime, Jutriša continued to animate for others. In 1966-67 he animated the great Nedeljko Dragić's first two films of note, TAMER OF WILD HORSES (which Mimica returned to write and supervise) and DIOGENES PERHAPS (which I tweeted about almost a month ago).

Today marks the 35th anniversary of the death of Vladimir Jutriša, a great, versatile, yet unsung animator at Zagreb Films. I thought I'd share some details about his career; consider this a sneak peek for a four-article series on Zagreb I might post for OTO in the coming year.