Virginia Quarterly Reviewさんのイラストまとめ

“[Illustration is] about capturing a moment over a period of time, an experience that you witnessed and therefore comprehend on a level that other people should be able to understand.” See @george_butler’s Spring 2017 depictions of the Balkan Route: https://t.co/yjo200Dj0T

Take some time today for @MitchSJackson’s “Survivor Files,” from our Spring 2019 issue. Illustration by @_xst.

https://t.co/Y3hB6WRRCm

Trouble working? Illustration by Anders Nilsen, alongside the stoory “She Cannot Work” by Ashleigh Young, from our Summer 2018 issue:

https://t.co/cS77BFZMWB

Tennis, anyone? Illustration by @ocmillustration, in this story by Greg Jackson, a Finalist for the Natitonal Magazine Award in Fiction, from our Fall 2014 issue:

https://t.co/D6bOnCIkqD

On this day in 1876, Sherwood Anderson was born. He wrote the essay “J. J. Lankes and His Woodcuts” for our Winter 1931 issue, describing the title artist in a minimalist manner similar to his style in WINESBURG, OHIO. #VQRVault

https://t.co/RUAfP5hnVU

“Everything Splashes and Sinks,” A. Igoni Barrett’s story in our Summer issue, follows the coming of age of Nimi and Abiye through the lenses of family and identity.

https://t.co/1848bALbMp

“Walking through the museum felt less like voyeurism and more like collaboration: Strangers wanted their lives witnessed, and other strangers wanted to witness them.”

—@lsjamison, “The Breakup Museum.” #ReportingWorthReading from Spring 2018.

https://t.co/WfCOewLRAG

“The summer Ali was fourteen, the island’s volcano erupted with little fuss.”

—Daisy Johnson, “The Ash Swimming Pool.” #StoryWorthSharing

https://t.co/nBYAWvkyYW

Today’s #StoryWorthSharing is Deborah Eisenberg’s “Merge,” a clever and complex piece depicting intersecting lives and relationships from our Fall 2018 issue.

https://t.co/sqB9B4oeCr

We have to share our most widely read #StoryWorthSharing—@StephenKing’s “Cookie Jar,” from our Spring 2016 issue.

https://t.co/nA4HTlfOBC