Virginia Quarterly Reviewさんのイラストまとめ

“Blood pulls up in a near-new new Caddy, heaven white, with flesh-colored guts and the white walls on his tires thick as rulers side by side.”

@MitchSJackson’s “High Pursuit,” from our 2018 Summer fiction issue, is one #StoryWorthSharing among many.

https://t.co/AB4B5Zwjqr

“I have strived my whole life to… stare our pointlessness in the face, and waddle along toward happiness because of it.”

—@lmillernpr, “The Grand Temptation.” An essay from our Spring issue.

https://t.co/jE7zgLixMh

@laurakolbemd’s Summer 2016 “Once Bitten” provides detailed reporting on dengue fever and the zika virus.

https://t.co/e1aS8sNCdN

“This is judgmentalism. The game that is being played there is a game of social class.”

On #NationalGrammarDay, check out @DavidNaimon’s 2018 interview with Ursula K. LeGuin, in which she details her fight against the “grammar bullies.”

https://t.co/T4OKhnvLe6

Another of Liniers’s open letters went out to Tomi Ungerer, who died almost exactly one year ago. Read @lisabrowndraws’s essay on Ungerer, “Beastly Boy,” also from our Fall 2019 issue.

https://t.co/hpAxs8SdwP

Ali Fitzgerald’s latest Drawing It Out column, from our Winter issue, profiles Caitlin Hata, a well-known fermentation chef.

https://t.co/kwdtnrgpe9

“Cringeability comes from bungled rhythm, stupidity, or just failed intellectual perception.”

Andy Eaton’s interview with Charles Wright, from our Winter issue, explores the poet’s ideas about finding peace in art and distinguishing “junk from reality.”

https://t.co/xlTn3USe35

On this day in 2001, Apple launched the media player iTunes. @glassshallot’s “Sound + Vision,” from Spring 2013, analyzes the varied and sometimes cyclical methods of music consumption.

https://t.co/2w1rr8umzc

“When I was young, before my parents split up, I believed that divorce was a ceremony just like marriage, only inverted.”

@ljamison’s Spring 2018 nonfiction work “The Breakup Museum” often touches on divorce in its depictions of lost loves.

https://t.co/WfCOewLRAG

“There is a compressed anxiety to these entries. Reading the early diaries, it’s clear that Kafka felt incapable of writing the kind of sentence he desired.”

— Kate Zambreno, “The Missing Person.” An essay from our Winter issue.

https://t.co/oDtZsn260l