Victoria Miroさんのイラストまとめ

Victoria Miro is delighted to announce representation of New York-based painter #DoronLangberg. The gallery will feature new work by the artist in a solo presentation @artbasel OVR:2020 (23–26 September): https://t.co/i9sdAxMKoE

Today is the final day to view #MaríaBerrío: A Day's Cadence and #KhadijaSaye: in this space we breathe. Both exhibitions are available exclusively online and in our virtual gallery on Vortic Collect: https://t.co/CQ7biGQ7Kg and
https://t.co/YugenwWkHW

'Using myself as the subject, I felt it necessary to physically explore how trauma is embodied in the black experience': #KhadijaSaye
A portfolio in support of the Estate of Khadija Saye and the Khadija Saye IntoArts Programme
https://t.co/SSTMoPMnj0
https://t.co/OfyEeUjrGc

‘Her paintings of animals offer an illuminating foil to her central preoccupation with humanity’: Kirsty Bell considers #AliceNeel's portrayal of animals and the insights these offer into her life and work. Our latest edition of The Long Read: https://t.co/PfEDDSbI0i

Victoria Miro participates in @ArtBasel Online Viewing Rooms with Figures in Space, an exhibition works by Celia Paul, Doug Aitken, Milton Avery, Hernan Bas, Elmgreen & Dragset, Chantal Joffe, Wangechi Mutu, Alice Neel, Chris Ofili, and Tal R: https://t.co/aYk582d3Vq

The works in Celia Paul's new exhibition at VM address the abiding themes of her art – memory and family, the gulf between outward appearance and inner life – while offering touchstones for wider thoughts about time, transience, spirituality and mortality: https://t.co/Xt2LosWCl5

Opening tomorrow @britishmuseum — Grayson Perry features in Pushing Paper: Contemporary Drawing from 1970 to Now. Exploring how artists have used the medium to examine themes including identity, place, and memory: https://t.co/4cNZ4JVMAV

Now open at VM Venice | Milton Avery: The Late Portraits. Made in 1963 — the last full year in which the artist painted — Lavender Girl depicts Milton and Sally Avery's daughter March, also a painter. On view until 8 Sept: https://t.co/MzKYv8iFMQ

‘From a distance, [María] Berrío’s pictures look like huge watercolours, faded and pale. But when you get close, you see they are actually collages made of delicate Japanese paper in pastel shades. Beautiful.’ Review by Waldemar @JANUSZCZAK, Sunday Times: https://t.co/OvimsUgO31

‘I have rarely encountered anyone so open, natural and without side. But then Joffe has never feared exposing herself to the public gaze – physically or psychologically.’—Rowan Pelling @Telegraph. Chantal Joffe now on view at VM Mayfair and VM Wharf Rd: https://t.co/WNmJ64QryP