Victorian Webさんのイラストまとめ

NEWS! @uvic's "#Pregnancy & #Childbirth in the Age of Victoria" project launches soon with 2 Zoom events—scholars from all around the world talking about birth control advice manuals, pregnancy tests etc. See our Oct. What's New: do register! It's free! https://t.co/1tFlPq1WYd

Every picture tells a story: F. G. Stephens's unfinished "Mother and Child," from the time of the Crimean War, hints at a very sad one. The mother has just had a letter; the little girl realises instinctively that something is wrong. https://t.co/7iDDVaqukz

Another for #1september: "Now Is the Pilgrim Year Fair Autumn's Charge" by John Liston Byam Shaw. Gorgeous colours, but entering the shadows after leaving the sunny plains behind.... https://t.co/nWMTYiZDRo

Perhpas you've never thought of India in connection with slavery. Brigid Allen has written about it here: https://t.co/5FOqd0bVq6 The 2 maps show how much territory the East India Company had annexed by 1856; the woman in the photo (Wellcome Collection) is harvesting sugar cane.

Do you believe in fairies? Even if you don't you might like to look at our section on the Victorians who painted them! https://t.co/rSCYNsFZjY

Born #OTD 1827, John Richard Clayton, Pre-Raphaelite Associate: Sculptor, Illustrator, and Church Decorator (short essay bt Dennis T. Lanigan—Clayton was more than just a part of "Clayton & Bell"!) https://t.co/LA7oRMgB5p

#Heatwave For those of us in danger of overheating, if you go for a walk, choose a shady one, and take your refreshment. Beatrix Potter's Flopsy, Mopsy, and Cotton-tail didn't need to: they found theirs in the goosberry bushes! https://t.co/ZWGeY5aPPQ

Now online: review of "The Presence and the Dream," ed. @serena_t & @PoetSarahDoyle for the @PreRaphSoc! Simon Cooke thoroughly enjoys the poets' "stimulating perspective, by turns amusing & profound," on these revolutionary artists–and those they painted https://t.co/tmSLaGaimP

#Woodensday Millais' 1860 illustration of the Crawley family for Trollope's Framley Parsonage, with a lovely old-fashioned wooden cradle (notice the little detail of the doll on the floor) https://t.co/93ui9Mpyvj

Sketches & unfinished work can be so appealing, sometimes more so than highly finished work: this is JW Waterhouse's "Mary Physick, the Artist's Step-sister" c.1880. https://t.co/7UINZXylY7 (#ShakepeareSunday, from King Lear, "Striving to better, oft we mar what's well")