alex maceda 🤠さんのイラストまとめ

woke up to my work on @artsy's homepage, one of the curators' picks for emerging artists 🥲

"These rising talents are gaining recognition for their fresh, exciting, and experimental work—and their careers are just getting started."

https://t.co/EfsnBk3i8P

!!! @imnotfaceless i am so proud of you! congrats on @DBDegenwtf going live on @withopen3!

mine is having a "FML that wasn't a microdose" moment, extremely relatable

FREE MINTS FOR THE PPL - everyone hop on :)

https://t.co/xw0XqLf5Yw

pulling back the veil 👁‍🗨
how to make an @altarsNFT

each ALTAR is made of 8-10 unique, hand-painted, digitally-manipulated and/or AI-generated layers, selected by algorithm based on a human-designed system

you following? minting soon on @withopen3 👁‍🗨

https://t.co/Y8mYOjeLWH

WIP for @AltJamesA 100 X's project, further exploring the combination of physical painting + digital collage/manipulation + digital painting... what do we think?

https://t.co/jcFLLGDkn3

SUMA PINTA marked a new medium for my physical work: my first collection in acrylic (RHS), rather than oil (LHS), paint.

The spirit of the work and topics are the same, but I have been able to achieve even more movement, energy, and abstraction with acrylic.

👁‍🗨 one of a handful of 1/1s for @altarsNFT 👁‍🗨😳 INITIATION 😳

i made this painting in december then never finished it and just put it aside and found it today and it’s actually quite good

For ALTARS, the layers use physical and digital painting, and digital manipulation.

A few select layers were also manipulated from images generated by images of my paintings I fed to @OpenAI DALL-E.

(🖼️:Handpainted canvas stripes for ALTARS)

can't help it... lil teaser 👁‍🗨 :)

i’ve used the same process with my other @KnownOrigin_io pieces, some of which, like this one also employ digital collage/layering of original oil paintings as part of the process

https://t.co/FFSfzYfnrR