Richard Morrisさんのイラストまとめ

'Snow at Durham Wharf.' (1947) As a self-taught artist, Julian Trevelyan passionately believed that art should be part of everyday life; he admired Alfred Wallis and visited the Pitmen Painters in their tin hut studio at Ashington Colliery. Durham Wharf was his studio in London.

'The Potato Diggers,' is one of Paul Henry's most accomplished works. Henry went to Achill Island for the first time in August 1910 and like Millet, he wanted to paint a scene of life as it really was.

'Judith Allen in a White Hat.' Joash Woodrow was one of the most significant artistic figures in postwar British art sharing the intensely expressive figurative language and dense manipulation of paint of Frank Auerbach, sadly a major breakdown meant he lived a reclusive life.

Tom Philips built up quite a reputation for himself as a portraitist a few years ago with portraits of sitters which feel physically constrained in their frames. This is his pleasingly cool-to-the-point of glacial likeness of the novelist Iris Murdoch.

'Great Dunmow, Essex.' Although John Aldridge painted portraits and figures in interiors, there are rarely figures in his landscapes. The countryside he portrayed is an inhabited one, closely cultivated and frequently punctuated by houses and barns.

'Figure Sleeping in Winter Sunshine.' Michael Rothenstein was a popular and brilliant print-maker as well as an excellent painter; one of the central figures in the renaissance in British print-making in the 1950s and 1960s

Joan Eardley depicts her first studio in George Street in Glasgow. It was here she painted her tender, humane, often humorous paintings of Glasgow children. Initially they came to her studio simply in order to watch her at work, but soon became her major subject #joaneardley

In common with much of Michael Andrews's work 'A Man Who Suddenly Fell Over,' is partly autobiographical. He later said the painting is 'about the complete upsetting of someone's apparently secure equilibrium and attempt to conceal that they have been badly hurt or upset.'

@aqua_aimee There's lots of artists I can think of but one who instantly pops into view is a self portrait by John Minton.

Michael Andrews’s painting of one of Soho’s most storied drinking dens, the Colony Room, is a who’s who of the art scene. That hot pink collar belongs to Francis Bacon. Artists’ model Henrietta Moraes is centre-stage. A chiselled Lucian Freud looks us straight in the eye.