Richard Morrisさんのイラストまとめ

Further news on one of the Stanley Spencer paintings I sold earlier this year. My buyer in Hong Kong has traced 'Waterpolo' to 1919 around the time as Stanley painted 'Scrubbing Clothes,' which was bequeathed to the Ashmoleum in Cambridge in 2013.

'The Three Graces.' 'Leonardo da Vinci promises us heaven, said Picasso. 'Raphael gives it us.' Picasso drew like Raphael & Ingres with a panoptic, all-conquering line. He saw the beauty in Raphael's grace. He also saw that Raphael's dignity was hard won.

Bacon and Freud glimpsed in 'The Colony Room I,' by Michael Andrews.

'Sisters,' by Robert Sivell

Described as one of the most brilliant artists of his generation, Eric Robertson's WW1 experiences as an ambulance driver left many piercing statements about his work. 'Shellburst,' is a deceptively simple painting of inescapable menace but it has absolute gravitas.

'Landscape.' Jean-Baptiste-Camille Corot was the pre-eminent French landscape painter of the first half of the 19th century. Corot's France is a melancholically beautiful place, wan and silvery.

'The Clyde from Corrie, Arran,' by
Mary Nicol Neill Armour.

'The Wild Beast Show,' Edward Seago. An early work based on Seago's experience of joining Bevin's Travelling Circus aged 18. The striped canvas in the picture cleverly forces the eye to the cages where the lions and tigers are housed.

Jacqueline Morreau's 'Under the Sea, Three Fates' is rendered in swift strokes of pen and wash. Figures that are both fragile and substantial, floating in water in which the destiny of a recumbent woman is being decided by drifting deities.

Another good example of Edward Bawden's Merrie England sentimentality for a cover of Ambrose Heath’s Good Food series. The figure on this cover was based on a one-eyed farmer named Frederick Mizen who was fined for stealing 40 pounds of jam from a local greengrocer.