ArtAsiaPacificさんのイラストまとめ

Why is Hong Kong running out of mochi ice cream? “My Office Playlist” is a showcase of music that illustrates a spectrum of moods at the office. This week’s track is “Gone” by Rosé: https://t.co/VkQpkpREtB

ArtAsiaPacific’s Sep/Oct 2022 issue is out now, with articles on Thao Nguyen Phan, Nalini Malani, Kiri Dalena, Elia Nurvista, documenta fifteen, Song Dong, and more! Read online or grab a copy: https://t.co/GmF1cIVIVN

Lin Heung Tea House is a century-old establishment known for its steamed cakes and dim sum pushcarts. Its unexpected closure on August 9 shocked Hongkongers. “Hot Door Subjects” discusses the latest hot topics in Hong Kong: https://t.co/7Nk3LUCrum

Can your desk mate do a cartwheel? Curated by an ArtAsiaPacific designer, “My Office Playlist” is a showcase of music that illustrates a spectrum of moods at the office. This week’s track is “Circus” by Britney Spears: https://t.co/sVm1qGs27R

Inspired by her time in the Thar Desert, Indian artist Ragini Bhow’s solo exhibition “Second Wind” at New York’s Rubber Factory alluded to sand dunes, constellations, and primordial symbols that situate viewers in a space beyond the reaches of time: https://t.co/kvAJyEV07L

Curated by an ArtAsiaPacific designer, “My Office Playlist” is a showcase of music that illustrates a spectrum of moods at the office and during commuting hours. This week’s track is “It’s Ok If You Forget Me” by Astrid S: https://t.co/2QQt2GW9na

Wifredo Lam created radically unassimilable paintings that synthesized European Surrealist and Cubist strategies with the Afro-Cuban rituals of his upbringing. In Issue 127, Emily Chun reviews his chronological survey at Pace Gallery in New York: https://t.co/NmVJYC1bWI

In “I am in training, don’t kiss me,” Lau Hiu Tung’s solo exhibition at Flowers Gallery, she playfully alludes to the tools of gym-goers while touching on the narcissism, desire for escape, and energy that accompany their pursuit of corpore sano: https://t.co/tnJxzzSEuW

2021 saw the continuation of speculative discussions on the post-pandemic era. For ArtAsiaPacific's 17th Almanac, we hear from artists, writers, and curators about their communities' responses to the events of 2021. Check out the preface to find out more: https://t.co/dAkimrmLdX

Tai Kwun brought Tino Sehgal’s “constructed situations” to Hong Kong for the first time with This Variation and These Associations. ArtAsiaPacific provides three critical and creative takes on these ephemeral encounters: https://t.co/1o0aTrsTfV