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Journal of Art in Societyさんのイラストまとめ


Philip McCouat's in-depth articles on art, history and social change appear in the Journal of Art in Society at artinsociety.com
artinsociety.com

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20C English artist Eliot Hodgkin said "I like to show the beauty of things that no one looks at twice". Here he depicts Boot washed up on Beach / A Christmas Present / Seven Brussel Sprouts (AJ Photography) https://t.co/DCGRpfAufE

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Toulouse Lautrec died 1901, at only 36. His friends ranged from sex workers to Oscar Wilde, his interests from cycle-racing to cooking, and his paintings from high art to illustration ~ here's La Toilette ■ La Vache Enragée ■ The Kiss

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19C/20C Japanese-influenced Henri Rivière was a champion of colour printmaking in Europe, with his tranquil observations of French life ~ Sunset ■ Low Tide ■ Twilight

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Here are some more small-scale gems of nature and curiosity, annotated watercolours from early 20C India adventurer Olivia Tonge. Many thanks to https://t.co/EV9OSw4dZP

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William Blake, poet & painter, died 1827. The only review published during his lifetime described him as “an unfortunate lunatic" & his works as “ebullitions of a distempered brain.” Discouraging, huh! Here ~ Pity / What is Man / Running from the 3 Beasts

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Where the land meets the water ~ Irish printmaker and watercolourist Pamela Leonard, now in her 70s, specialises in depicting light, weather and nature (and the occasional tiger). Thx and https://t.co/3qIKZqbcQf

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“He became my true master and it is to him that I owe the definitive training of my eyes” ~ this is Monet talking about the Dutch painter Johan Jongkind. To compare, here’s Monet’s breakthrough Impression: Sunrise (1872) and, at R, earlier works by Jongkind

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The perils and pleasures of taking a dip ~ Jonah Swallowed by the Whale (Giotto, 1306 Arena Chapel 1306) ■ Fall of Icarus (Bruegel, mid 16C) ■ The Swimming Venus of Ramsgate (Fores, c 1803, British Museum)

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Early 20C Scottish post-impressionist Samuel Peploe absorbed French influences to create vibrant still lifes and landscapes infused with light and colour

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For centuries artists have been intrigued by the challenging distortions created by convex mirrors. Here, George Lambert peeks out from a social setting (1916) ■ Parmigianino creates a tour de force (1524) ■ early artist Marcia is shown painting a selfie (14C)

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