Elaine 🌹 is on Patreon!さんのイラストまとめ

I think that was the starting point of my style coalescing. The focus on detail and chiaroscuro hasn't changed much in the last 5 years

Then I returned to the realism look for the Disney Women series. I think I was really focused on getting it 'right' (whatever that definition was at the time), and the brushy finish was still too rough for my taste

I also started to experiment with more painterly, brushy strokes. Prior to this it was all trying to get as much detail and realism as possible

The first 2 years of ACCD was just me learning perspective and using a pencil

I hid a lot of my inadequacies by rendering when I didn't need to, hoping it would hide the fact that I couldn't conceptualize or draw

Pre-ACCD I don't think I had any style to speak of - I was attracted to the painterly finished stuff and ran before I walked

Everything was muddy and had no strong form language

Hi #PortfolioDay! I'm Elaine, an Asian-American illustrator, and I love dramatic lighting and lush landscapes.

Looking for book cover/commercial work!

⭐️https://t.co/clqdiAnFkN
🌺https://t.co/Y4DI9FwJIA
✉️elaine@artofelaineho.com

i am deeply predictable https://t.co/rnfuIF7jGp

not sure how this became necessary to state in the year of the lord 2022, but unlike AI i know how to paint hands

#HumanArtists, show me your painted hands!

i too am an #ArtistOnTwitter i guess

I haven't posted a lot of art publicly lately, but I'm still frequently updating my Patreon with Tempest and the Fire art!

Have a couple of previews 👀

🌹 https://t.co/Y4DI9Fxhy8 🌹