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HELLO FROM HALO HEAD #155
(this is part of an ongoing comic series! HFHH is an irreverent, allegorical comedy that explores the multitudes of a person's response to trauma. i call it a "traumedy" ;) see my bio to read the rest!)
eating pizza in the shell to assert dominance
HELLO FROM HALO HEAD #154
(this is part of an ongoing comic series! HFHH is an irreverent, allegorical comedy that explores the multitudes of a person's response to trauma. i call it a "traumedy" ;) see my bio to read the rest!)
HELLO FROM HALO HEAD #153
(this is part of an ongoing comic series! HFHH is an irreverent, allegorical comedy that explores the multitudes of a person's response to trauma. i call it a "traumedy" ;) see my bio to read the rest!)
Because I tend to prioritize clarity, the staging in my comics and storyboards can look deceptively simple. I actually put a lot of thought into it. Here's an example of my process from my comic's current arc. If stuff like this is interesting/helpful I'll try to write more often
HELLO FROM HALO HEAD #152
(this is part of an ongoing comic series! HFHH is an irreverent, allegorical comedy that explores the multitudes of a person's response to trauma. i call it a "traumedy" ;) see my bio to read the rest!)
i'm endlessly fascinated by the way drawing something "wrong" can make it look more right. bitch it's bonkers how much i draw and how long i've been drawing and i still have to problem solve every single time. i kinda enjoy it though. here's some observations from halo head #151