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Sam Dcruze launched 'Child Of' to support those who've lived with and around addiction through creative workshops and community. We discuss her own experiences in a very frank, inspiring chat.
These things that are a part of our culture. I like to present them without judgement. I've since done workshops on this in London, Minsk, Osaka and series in NYC, Hong Kong, plus a residency in Beijing. It's truly global.
This one is from a Kyoto ramen bar.
I've always been fascinated by the incidental. The stories behind that bit of graf, the kebab carton, the broken bottle. I started creating artworks of my finds in 2015 in Woolwich...
This time I'm sharing stories of my learnings from making work based on my own interests, and ideas or simply working through personal troubles.
This one was a personal fav - 'A + D' - A mixed media collab with NYC based photographer Marius Bugge.
Episode out soon.
I'm writing extensively about the nature/behaviour of creativity for a new book.
The mistaken twinning of being artistic and creativity might just be the chief reason so many people believe they are not creative.
It's crazy, yet a perpetuated misconception throughout society.
The footie season is almost here. A few personal favourites of my work in the game.
1. Ariel Ortega, Pro Evo '99' project curated by @Scott_McRoy
2. Mark Bright in support of Sheffield Children's Hospital.
3. @didierdrogba for a @premierleague TV trailer.
Keen for more!
New work. @redbull's Red Bulletin German edition front cover and spreads for a story on the progress of @RBLeipzig.
Spray paint/acrylic/watercolour/pen/pencil treatments.
I'm obsessed with creativity. So I talk about it, at length, with all kinds of creative industry people.
My podcast used to be called 'Arrest All Mimics' and now it's 'The Creative Condition' podcast. Listen at:
https://t.co/U6KT66JXD4
I can do this live.
I use inks, paints, spray paint, found materials, watercolour, and pencils.
I edit with Photoshop.
I'm good under pressure and can work fast without compromising on quality.