CROSSNIQ+さんのイラストまとめ

@shashestar @Idolomantises Here's how they look in the final game!

When it feels like the news is just too much to bear, don't forget to look offscreen once in a while! #crossniq

Wanna make your own stickers for your preferred messaging app? Grab the sticker PNG files here!

https://t.co/iEGPl6MCx6

Rain Sez: make sure to stay fueled to play at your best!

(note: we do not officially endorse Rain Sez segments. it was Rain's idea.)

Fall is only a couple of weeks away, but don't let that stop you from enjoying this last break of warm weather! 😎 #crossniq

Wanna make your own stickers for your preferred messaging app? Grab the sticker PNG files here!

https://t.co/iEGPl6MCx6

SPACE CHANNEL 5 (parts 1 and 2)

This beloved funky extraterrestrial rhythm game may perhaps be the most y2k of all Dreamcast games, between its neo-space age aesthetic, white/orange/blue color scheme, and sharp graphic design.

Alongside these icy, ethereal blues, there were more saturated, "liquid" blues. The digital or virtual "ocean" was a popular motif, evoking the formlessness and adaptability of the web and digital communication - it was natural that water-inspired colors followed.

@y2k_aesthetic Japanese CG also began to rise to prominence during this time (earlier CG animation studios had predominantly started in the west), bringing anime-inspired CG to the world.

@y2k_aesthetic Another fixation of y2k 3DCG was the "cyberbabe" or "virtual idol" - now that CG had approached the realm of human facsimile, artists were eager to create virtual models, pop stars, and more.

They were, of course, perfectly idealized, dreams that only a computer could create.