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Official account of DailyArt free. educational iOS & Android app, serving espresso shot of art every day, straight to your phone - here also on Twitter.
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Born in Hudson, Michigan, Edna Boies was a young widow when she went to the Art Institute of Cincinnati in 1898.


Edna Boies Hopkins 1909 https://t.co/fOU57eVepm

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🍑Fede Galizia is especially noted as a painter of still lifes of fruit,a genre in which she was one of the earliest practitioners in European art.📙more: https://t.co/ECGqqVpE9F
🏛 private collection Still life of peaches on a fruit stand with flowers by Fede Galizia (1578-1630)

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☁️Wanderer above the Sea of Fog, Caspar David Friedrich high-quality print
🛍 At: https://t.co/4deKNe9ibn
🌟 printing technology matched with special papers pigment inks gives a collector’s values, museum quality,archival durability –reaching hundreds of years (min. 100 years)

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☀️ So, July has finally started!
This painting belongs to a series of allegories representing various months of the year.

📗 more: https://t.co/ECGqqVpE9F
🏛 collection
Seaside (July: Specimen of a Portrait) by James Tissot 1878

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🐉 💓🇮🇳 Rabindranath Tagore was truly a man of the Renaissance. He was a 20th-century Bengali polymath who worked as a poet,writer,playwright, composer,philosopher,social reformer, and painter.📗 https://t.co/ECGqqVpE9F
🏛 private collection
Untitled (Dragon) 1st half Of 20th c.

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Fidelia Bridges (1834 – 1923) was an American artist of the late 19th century. She was known for delicately detailed paintings that captured flowers, plants, and birds in their natural settings. 🏛 Fidelia Bridges
Flowers in a Pitcher
1870s

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Throughout her life she primarily chose women as a motif: Sometimes as exaggerated caricatures as a way to typify “the face of the time”, sometimes in intimate or eroticized surroundings to which men were denied access📘 🏛
Jeanne Mammen, Carnival, 1931

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🌈 With a sharp eye and an even sharper pencil, Jeanne Mammen (1890-1976) captured the bohemian life playing out at the café tables of the Weimar Republic, painting the boisterous garçonnes and the emancipated Fräuleins with their jet-black bobs, the “new women”.

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Women are being menaced in their prison by shadowy dragons, from whose sight three of the women are hiding their eyes. There appears to be no escape. 📙 https://t.co/kCEfEGVCsZ 🏛 collection The Captives by Evelyn De Morgan 1915

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🌈 Marie Laurencin throughout her life, embraced the ambiguous and the ephemeral, creating a body of work that offers a confident and self-sufficient vision of female affection and creativity.
🏛 1913, Le Bal élégant, La Danse à la campagne

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