Devon Baxterさんのイラストまとめ

This could also serve as an interesting case study in the economical class system—note the stark contrast between the two cats’ living arrangements.

@allnewzbadnewz I stand corrected on that one. Either way, these drawings are killer.

In PAY DAY (’44), Private Snafu squanders his post-war savings on gambling and souvenirs in this masterwork of musical timing from director Friz Freleng. (In learning recently these shorts intended for the Army were only allotted a SIX WEEK production schedule, it's incredible.)

Here’s a clip from I-SKI, LOVE-SKI, YOU-SKI (’36), with a great use of the Fleischer studio’s stereoptical process—miniature sets mounted on a turntable with cels of the characters placed in front— in the first shot of the cartoon.

@donaldismkills BEN AND ME, released by Disney in late 1953.

Theatrical Felix cartoon posters!

#Noirvember First Viewing:

Excellent all around. You might have Burt Lancaster and Ava Gardner at top billing (both fantastic), but it’s Edmund O’Brien that really carries the weight.

So, was this whole Uncle Andy thing from Steven Universe pointless, since he hasn't appeared or been mentioned in a while? Someone help me out here.

#3: Considered the first “slasher film” of its kind, 'M' is one of my favorite foreign films. The cinematography of the seedy underbelly of Berlin and Peter Lorre’s performance are top-notch. Best experienced on a larger screen, if the opportunity arises.

OMG, why does this BG character from BOJACK HORSEMAN sort of look like me?