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Ava Gardner exudes glamour in The Barefoot Contessa, 1954. Costume design by Fontana.
At a time when dress was so expensive, gowns sometimes were created with removable pieces to convert it for different uses. Here, the bottom sleeves & hood were likely removable. The gown would then be worn with an indoor-appropriate stomacher in place of this waistcoat-like one.
Maybe if I had an apron this pretty, I’d be more motivated to clean while quarantined.
Psh, who am I kidding??
It’s finally starting to feel like spring! These pastel beauties may technically be lingerie, but let’s be honest, most would work just as well as outerwear today. The Australian Women’s Weekly, October 17, 1956.
It’s #LeapDay! Traditionally, on February 29th, typical gender roles could be reversed and women were “allowed” to propose to men. In the early 20th Cent., this scenario became popular fodder for cartoonists, with varying levels of offensiveness...
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The volume of skirts during the peak cage crinoline era can’t be beat, yet my favorite detail in this 1862 fashion plate is the delicate double pointed bodice on each gown.
The holiday season is here &this Balmain gown is perfect for parties! Detailed in Nov 1951 Vogue: “RSVP to the best invitation of the season. The bodice laces up the back to make perfect a near-perfect young figure. Skirt, a bold plaid polonaise of taffeta.” Photo by Cecil Beaton
As you brave crowded malls this holiday season, remember that once upon a time shopping looked like this- for the wealthy, at least. Women would go to couturiers’ salons where in-house models would show the designs that would then be custom-made to the shoppers specifications 1/2
This mid-century Van Raalte ad may be for stockings, but I covet that dress. Because I “love nice things.” #vintage
Edith Head created a gorgeous Grecian inspired chiffon gown for Grace Kelly in 1955’s “To Catch A Thief.” It is rightfully one of the most iconic gowns in film history.