Estorick Collectionさんのイラストまとめ

Nicolay Diulgheroff, the Bulgarian artist and prominent representative of interwar Italian Futurism died #onthisday in Turin in 1982.
His painting Woman at a Window, 1927, is in our current exhibition where it creates a dialogue with Alexander Archipenko’s sculpture, Reclining.

Our exhibition explores Alexander Archipenko’s influence on the masters of Italian Modern Art, and the convergence of radical ideas about the human form.

Futurist Composition (Dynamism of Forms) by Enrico Prampolini creates a dialogue with Archipenko’s Form on Blue Background

In works like this one Archipenko constructed his figures by adjoining conical elements, employing collage and a variety of pigments (pastel, chalk) to better visualise the effect of the curved surfaces.

Alexander Archipenko, Title unknown [Figure in Movement], 1913

This powerful drawing relates to one of Boccioni’s lost Futurist sculptures, which explored the relationships between the concave and convex forms of a human face. Its model was the artist’s mother, Cecilia Forlani, who was photographed in front of this drawing in 1913.

Inspired by the Giorgio Morandi prints in our current display? Join us Monday evening for an online workshop exploring his unique process for creating still life compositions, and learn simple ways to create prints at home. Free but booking required. https://t.co/ctpbLlg9jC

Find out more about our museum and the history of the collection in a gallery talk with Estorick Collection Director, Roberta Cremoncini this Saturday, 3pm. Free with admission ticket purchased for the same day. https://t.co/yQf2GIjFq0

Renato Guttuso, Death of a Hero, 1953

Gerardo Dottori was born #OnThisDay in 1884. Between late 1911 and early 1912 he met Giacomo Balla and joined the Futurist movement, becoming the dominant figure in Umbria’s avant-garde circles. He became one of the first Futurists to analyse the dynamism of the natural world.

#TBT to our 2014 exhibition Gerardo Dottori: The Futurist View which provided an authoritative survey of the career of one of Futurism’s most significant and distinctive artists, known for his serene and lyrical aeropaintings.

Ottone Rosai was born #onthisday in 1895.

In 1913 an exhibition of his work was visited by the Futurists; according to Rosai, “They invited me to join them and from that very day I became a militant Futurist.”

Ottone Rosai, Man Waiting, 1919

#FlashbackFriday to our 2018 exhibition The Enchanted Room: Modern Works from the Pinacoteca di Brera.

The show featured paintings and sculptures donated to the @museobrera by Emilio and Maria Jesi.