Feral Fileさんのイラストまとめ

Dive in to @elluba's beautiful Curator's Note, "Through the lens of AI into the hidden depths of datasets" https://t.co/pedH3ubamz

There once was a jellyfish …” is a piece that exemplifies @entangledothers’ fascination with the marine world, particularly with jellyfish. Initially with a phobia of jellyfish as a child, Sofia Crespo, one-half of the artist duo, has developed a curiosity into its visual

“Picnic 001”
GIF
1000 × 1500 pixels
7 frames, 10 fps
Edition of 30, 1AP
@raquelmeyers

“Emergence”
Custom software (color, silent)
Dimensions variable, horizontal or vertical
Generative, interactive
JavaScript (p5.js), HTML, CSS
Edition of 75, 1AP
@albagcorral

or whoever is wandering in the digital world. Through rendering several complex 3D scenes, the algorithm takes the hardware performance evaluation values as random seeds to generate a “virtual oracle." During the process, the temperature of hardware running the webpage may -

“Abstract Oracle Miner 0009328437" is an iteration of Guo's installation work, “Abstract Oracle Generator." The “miner" is a virtual device producing different acronym combinations, which act like prophecies responding to questions raised by participants—

"The Long Cut," curated by Iris Long + featuring #CaoShu #GuoCheng + #QiuWeihao #HeZike #ShiZheng #LinKe #In_K @s_aboveandbelow opens August 10th 6:00 UTC+0 / 7 am CET / 2 am EST / 11 pm PST on August 9 https://t.co/BFuRcv1AS5

of art historical idioms which range from High Renaissance sculpture to Structuralist film. At once elegant + lacerating, the constituent elements of any given piece tend to coevolve on varying time scales where slow accretions of architectonic form intersect with fast –

A deeply adapted hybrid, "D. Flagellum" has characteristics similar to those of photosynthetic eukaryotic organisms on Earth. Classified as both flora and fauna, "D. Flagellum" might be best understood as an airborne plankta that is both photosynthetic and heterotrophic –

Hart’s simulation will leave viewers stunned with its rich sensuality, the oddity of Kiki’s gaze, and Hart’s multi-layered use of technology—