Feral Fileさんのイラストまとめ

"Field Guide," our 12th exhibition curated by @artnome kicks off January 20, 14:00 UTC+0 Read more about our latest show feat. @pointline_ @ABelitskaja @soficrespo91 @i_shkipin and Jared Tarbell in our latest newsletter! https://t.co/zsxsmAeZYU

paintings by other emerging artists, optimized for market success. The morphing animations in “Smart Cut” are made out of images from this series that were not selected for production: works as part of the process, works as they were before they got “good,” left-over abstractions

According to the art critic Arthur C. Danto, “To see something as art requires something the eye cannot decry—an atmosphere of artistic theory, a knowledge of the history of art: an artworld.” Since 2014, @jonas_lund has created abstract paintings using elements sampled from-

Come explore each beautiful work in “For Your Eyes Only,” curated by @ran_dom + featuring @morehshin @ebroutmmarion @carreras_anna @FrancoiseGamma @kamiliakard @jonrafman @jonas_lund @manovich @metakasari @SBezovsek @katjanovi @petcortright #PetrosMoris https://t.co/zztytdcI3b

indeed, they are words, characters built from an alphabet. Stock images are plain visualizations of the tags used to retrieve them. Everything is conventional in this picture, except the final picture. https://t.co/GHo4NYDBGC

paintings, largely known for their gender-undifferentiation. For her project, “ماه طلعت، Moon-faced,” Allahyari uses a carefully researched and chosen series of keywords with a multimodal AI model to generate a series of videos from the Qajar Dynasty painting archive (1786-1925).

paintings: the modernization of Iran, the influence of the European tradition of realistic painting, and the use of of camera technology and therefore photography as a model, overshadowed and ended the queer representation of genders that historically characterized these-

In ancient Persian literature, ماه طلعت، (“Moon-faced”) was a genderless adjective used to define beauty in both men and women. In contemporary Iran, it refers to the beauty of women only. Something similar happened, in the world of images, to the Qajar dynasty portrait-

.@tylerxhobbs
“F(l)ight”
Custom software (black and white, silent)
Dimensions variable
Generative, non-interactive
JavaScript, HTML
Edition of 30, 1AP

that intersect and create networks. Because Licia is using paint and brushes to translate her images from code to paper, the difference between what’s seen on screen and on paper is significant. https://t.co/4GlXQConLj