Friezeさんのイラストまとめ

'The drawn architectural elements which sit beneath more blurred abstractions are rendered upside down, lending the work a vertiginous sense of disorientation, appropriate to its war-scarred subject.' On Julie Mehretu https://t.co/0pEnmUmhC8

Celia Paul works from a place of intense sensitivity and quietude, focusing on spirit and atmosphere over anatomy https://t.co/GuUw8sVcGx

‘Cool as they may seem, like classical drama, Bridget Riley’s paintings pivot on the threat of crisis or discord and the possibility of harmony restored.’ @haywardgallery https://t.co/Xra99gWNGS

Is the London art world excluding young BAME people?
https://t.co/UDCqjRWh8R

.@joergscheller1 and Juliette Blightman respond to Miriam Cahn’s electric paintings. From frieze issue 204.
https://t.co/rFDBfTPupQ

'I was only 12, but it did make me wonder, if you stare at a picture for long enough, could you fall in love with it?': @fleelsZ on love online in 2005 https://t.co/ZM3vT92MO0

An exhibition @victoriamiro, explores how Ilse D'Hollander's channelled outdoors journeys onto canvas https://t.co/JJNGBuUqaC

'Signification swirls through these radioactive streets like a cyclone.' @JenniferHiggie on #BladeRunner2049 https://t.co/29RdFFpwW3

Postcard from Guatemala: in lieu of institutional support, artists work together to achieve self-sufficiency https://t.co/9HhH2mY6lf

The most important things in life can’t be professionalized. Is it time for some politically-directed amateurism? https://t.co/yoNVtChnsc