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Gary Erskineさんのイラストまとめ


Comics/ Storyboards/ Concept Design/ Publishing/ Teaching @rollergrrrls @WOMENSci
garyerskine.com

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Hello. I'm Gary and I still create art with a pen and paper working with digital colourist . I also spend my time doing storyboards, games concept work, character design, school workshops, teaching SQA Games Design at college, and comics. I love my job.

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Find a colourist you can trust. The only direction I gave was to keep the scene dark [at the bottom of the sea] but also subtly highlight Ursula. The ripples of light across the frame really help and Sebastian is prefect as the brooding prop behind.

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so, a couple of years ago... this is how we re-imagined Ursula and Sebastian from Apologies for not keeping canon. We made Sebastian a lobster.

Colour by , as always.

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Love this bike. Playing with colour and effects.

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Kasabian, 48.13. A bit of a guilty pleasure.

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A variant cover for the Rivers of London adaptation for Wonderful colour by , as always. The printed version had a red haze behind Peter Grant and kinda killed the dark, brooding menace of the colours here and the red/blue light balance.

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War, huh.. What is it good for?

Thanks to Dee Cunniffe for this gorgeous colour for the War Doctor. That sweet John Carpenter 70mm anamorphic lens flare is just perfect. The whole scene seems baked and dry... like John Hurt, himself.

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