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The Complaint of the Giant Nimrod (from Dante's "Divine Comedy"); verso: slight black chalk sketch for recto, William Blake, 1824-1827 https://t.co/gL2fBMMqJK #harvardartmuseums #williamblake
Landscape, Katherine Adams Lovell, 20th century https://t.co/yaiJ2ScP6f #katherineadamslovell #harvardartmuseums
Landscape with Rustic Bridge, James Gamble, 19th century https://t.co/ve4rd9JJW4 #jamesgamble #harvardartmuseums
Untitled, Luis Rodriguez Gordillo, June 10, 1960 https://t.co/Zt7YU9rKEt #luisrodriguezgordillo #harvardartmuseums
Rhetoric, Laurent de La Hyre, c. 1650 https://t.co/MxZ71wbVbi #harvardartmuseums #laurentdelahyre
Standing Cavalier with Back Turned, Boccaccio Boccaccino, c. 1502 https://t.co/zlzGpuX5I0 #boccaccioboccaccino #harvardartmuseums
Seascape at Rimini; verso: Sketch of a Man in a Corinthian Helmet, John Singer Sargent, May 28 1869 https://t.co/1GG0OlMD7h #johnsingersargent #harvardartmuseums
Metropolitan Museum of Art: Drawings and Prints @met_drawings #followart #drawingsandprints
Two Squawking Ducks in the Water; verso: blank, Jean-Baptiste Oudry, 18th century https://t.co/OfyqVfBNHf #jeanbaptisteoudry #harvardartmuseums
Man Seated in His Study; verso: Four Sketches of Eavesdropping Figures, Nicolaes Maes, c. 1655-1657 https://t.co/WoHSFsJQ2E #harvardartmuseums #nicolaesmaes