☆ Hourly Vocal Synth Botさんのプロフィール画像

☆ Hourly Vocal Synth Botさんのイラストまとめ


Hardworking bot that posts a vocal synth every hour! All art used is official art. ∙ Regular updates + occasional manual posts.
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フォロー数:8 フォロワー数:23703

Behold! Your new vocal synth kin is Fukase.
Fukase is a bilingual vocaloid that gained much popularity quickly after his release. His design is notably asymmetrical and his companion is named Point.

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Behold! Your new vocal synth kin is Yamine Aku.
Derived from Hatsune Miku, Aku is a combat vocaloid created from darkness to fight against dark forces.
She can control fire, and also has the ability to switch between a teen form and an adult form.

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Behold! Your new vocal synth kin is Sato Sasara.
One of the first vocals released for the CeVIO engine, Sasara is a normal 16 year old girl who likes anime, video games, and pancakes.
She is friends with Suzuki Tsudumi and Takahashi.

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Behold! Your new vocal synth kin is Sato Sasara.
One of the first vocals released for the CeVIO engine, Sasara is a normal 16 year old girl who likes anime, video games, and pancakes.
She is friends with Suzuki Tsudumi and Takahashi.

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Behold! Your new vocal synth kin is Minase Kou.
Kou is a gentle teacher who specializes in the Japanese language. His hobby is basketball.

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Behold! Your new vocal synth kin is Kotonoha Akane & Aoi.
Originally released for the VOICEROID+ program in 2014, the Kotonohas received a SynthV Studio release in July 2020.

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【CeVIO】The vocal synth of the hour is Kinzaki Koharu.
Released as a part of the Color Voice Series, Koharu is a complementary voicebank to Ginsaki Yamato.
She is a graceful 52 year old woman who is said to make a big impression despite her size.

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2026-09-09

Behold! Your new vocal synth kin is Tako Luka.
Derived from Megurine Luka, Tako Luka was created in 2009 after her creator, Sanpachi, thought that Luka’s hair resembled octopus tentacles.

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Surprise! Here's Sakine Meiko.
Derived from MEIKO, Sakine Meiko is meant to represent Meiko when she entered the music business at the age of 16.

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