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Ireland's leading quarterly Irish Art and Design magazine -
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irishartsreview.com

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In the Autumn 22 edition of the Irish Arts Review
GRADUATES 2022: This year’s graduates demonstrate acuity and sensitivity when grappling with the complexities and instabilities of the contemporary
More graduate work: https://t.co/fla312YFkc

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In the Autumn 22 edition of the Irish Arts Review
Artists on view

PRINCE OF TIDES: investigates painterly values and pitfalls with , ahead of his mid-career survey at the .

Donald Teskey, 'Decade', RHA: until 23 October

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In the current edition of the Irish Arts Review, Summer 22:
Icons of Freedom
Felix M Larkin recalls the work of John Fergus O'Hea, the principal artist of the 'Weekly Freeman' cartoons in the 1880s in Ireland.

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In the Summer 22 edition of the Irish Arts Review
Art news: girls girls girls
Work by the acclaimed French artist Louise Bourgeois is included in an exhibition entitled ‘girls girls girls’, on show at in the grounds of Lismore Castle in Co Waterford until 30 October

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In the Summer 22 edition of the Irish Arts Review:
Tidal Attraction
Brian Fallon looks at the life and work of painter Richard Kingston and his late artistic rebirth, which produced hypnotic and visionary work

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Art exhibitions Kilkenny: Generation 2022 New Irish Painting
The presents a diverse celebration of contemporary painting in Ireland, curated by Anna O’Sullivan: until 10 July

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Art Exhibitions Kerry: Emerging artists
Killorglan’s is back & features over seventy emerging visual artists working across all media. The artists’ work can be viewed in pop-up galleries throughout the town’s disused commercial & private spaces. K-FEST: 3-6 June

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The Summer 22 edition of the is on Sale tomorrow!
Ireland’s leading Visual Arts Magazine, the Irish Arts Review, proudly showcases Irish Art, Design, Crafts, Architecture, Photography, Sculpture and Heritage.

Buy / Subscribe or Gift https://t.co/uXkbSe6Wao

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In the Spring 22 edition of the Irish Arts Review:
Art Lives: Frances Kelly (1908-2002)
SCATTERED FRACTIONS: Artist Frances Kelly didn’t aim for exact likenesses in her portraits of people or flowers, but rather for some inner, more abstract, significance, writes Hilary Pyle

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‘We, Us, Them’ showcases a range of photographic work from Irish & Australian artists. It celebrates the contribution of Irish Traveller, Aboriginal & Torres Strait Islander artists while also addressing the subject of racism & indigenous communities - until 21 May

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