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"Jissoji’s films will often address the ideological structures that shape his subjects’ desires. POEM features a scene where Jun reads Klossowski’s 'La monnaie vivante'..."
Continue reading @henride's piece on @mubi, essential for this Sat., Feb. 22: https://t.co/gWqLHirwgC
Keiji Sada, Minoru Ono, Mitsuko Mito, and dir. Masaki Kobayashi, apparently costume fitting for I WILL BUY YOU (Shochiku, 1956)📽️ https://t.co/UZTKvqSHEX
GENTLE MOTIONS: ATSUSHI WADA'S SHORT ANIMATION (2004-2017) screening on Sat., Mar. 21, 3, 5 & 7 PM
The works of an award-winning Japanese animator whose distinctive hand-drawn style emphasizes a minimalist aesthetic and evocative use of negative space. https://t.co/zcsPUUbWh4
From our friends at #MoMAFilm, the just-arrived documentaries REIWA UPRISING by @kazu19451 and ZERO by @Kazsoda are screening at Doc Fortnight 2020.
Don't miss the director appearances on Feb. 12 at 6:15 pm and Feb. 14 at 7:00 pm!
https://t.co/IuoMEdGQEz
https://t.co/2wevjla7pA
"People nowadays need to have an eye for what's good." -Hiroshi Teshigahara (Jan. 28, 1927-Apr. 14, 2001) #botd from Kinejun 5/1992
Rest in peace, Joe Shishido. Long known as “Ace no Joe” for his early Nikkatsu role in FAST-DRAW GUY and internationally renowned for his indelible performances in the films of Seijun Suzuki, such as YOUTH OF THE BEAST, GATE OF FLESH, and BRANDED TO KILL.
#hbd Japanese nouvelle vague star Kayoko Honoo (b. Jan. 16, 1941). Scouted by Nagisa Oshima in 1960, she spent the next few but prolific years making a mark in Shochiku productions. Pictured in the super-rare THE SAMURAI VAGABONDS (1960).
"Jissoji's film focuses intensely on textures, patterns and forms, from human skin to stone and wood...they can endure in any shape or form, yet are inevitably bound to whither..." -@midnightmes on THIS TRANSIENT LIFE screening Feb 15 & 22 https://t.co/gWqLHirwgC