Dr Kate Strasdinさんのプロフィール画像

Dr Kate Strasdinさんのイラストまとめ


Fashion historian, Senior Lecturer in Cultural Studies at Falmouth University, writer, curator & amateur stitcher
falmouth.ac.uk/research/centr…

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Christian Dior named this 1949 evening dress ‘Gruau’ for his friend who illustrated advertisements for early collections. The decorative buttons here emphasise the asymmetry that was a feature of these late designs

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The charm of This lovely set from 1832 was created by Anne Sanders Wilson for her sister, telling the fictional history of Miss Wildfire. I, meanwhile, waited eagerly as a child every week for my Bunty comic & her weekly cut out wardrobe. Plus ça change….

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There are certain silhouettes that seem almost too much for their own good. To see an early 1830s fashion plate for the first time, an observer might imagine the drawing is a caricature of a style but to see surviving garments is to realise the illustrator’s accuracy

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Stripes for the we’re all the rage in the late a nod to and the occupational dress of those at sea. This surviving gown in sheer layers, practically carries a fresh breeze in its wake with a hint of salty air

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Laid flat, a spencer jacket is an unlikely looking object, proportions out of kilter with bodily requirements but in the context of contemporary silhouettes it looks happier. Self decorations often encrust these gems of outerwear in contrast to lighter fabrics beneath

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My favourite artistic interpretation of a gown is Oswald Birley’s 1919 portrait of Miss Muriel Gore . The shimmery pleated delphos dress is instantly recognisable, an almost identical shade to this surviving example

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More used to seeing historic garments mounted on appropriate dress forms, there is something poignant about the uninhabited dress on a hanger. They appear like mysterious creatures, a fragile, chiffony creation fluttering in search of a body. dress

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Henri was so inspired by the embroidery on traditional blouses such as this that he painted them a number of times including this lovely version that he created in Nice in 1940, now in the

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Enjoying reading about the character of ‘Hilda’ this afternoon, creation of American illustrator A woman happy in her skin living a fictionally idyllic life mostly in swimwear or nothing at all. She was a mid century treasure, here with a one piece

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As a child I loved the Cicely Mary Barker illustrations and today put me in mind of the bluebell. We walked amongst a carpet of them at Emsworthy Farm. 1951 petal dress fits the bill beautifully as well

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