Landry Quinn Walker*さんのイラストまとめ

So I had to completely rewrite issue 40 without altering any art already completed. No Butcher. No rage avatar. The direction of the entire arc was ripped from the book. Needless to say, the last issue was not as satisfying as it might have been.

And I had had badass rage filled Guy Gardner get beaten up by a baby. Because this is still comics, and a rage infected superhero wearing a magic anger ring from space should still be treated with exactly the level of solemnity one would expect - very little.

@gabrielhardman

Me at the start of the lockdown. Me today...

And "The Wizard's Tale" by @KurtBusiek and David T. Wenzel. This originally came out when I was in a bit of a black hole, so I missed it. I have Wenzel's Hobbit adaptation, so I know it's going to be great visually. I hunt for the original issues at every shop I visit. Someday.

Instead, Donna Troy has been an orphan, a magical duplicate, a mythical being, a collective of multiversal beings, a living weapon, a space hero, etc...
She's Wonder Woman's sister. The end.

I point to these two films, because interestingly, they’re functionally the same story. Is the Hulk a man or a monster? Is Superman a friend or a menace? At the end, both characters face a moral choice. A choice that defines who they will be. They don’t make the same choice.

So if you look at many of my comics, you might notice a trend. Young people pushed to the limits in a bid for survival against forces that care little for the destruction of lives they leave in their wake. A bit of a generational war. A push against people who abuse their power.

Want some free comics? A few years ago @cartoonjones and I did book called Danger Club, showcasing a world where the heroes vanish, leaving the sidekicks behind. It was described as Teen Titans meets Lord of the Flies, though that's not really accurate...
https://t.co/wd8E9Ict4X

To the crushing weight of reality...