Larsen Warner Galleryさんのイラストまとめ

🙏
Actually got more complicated the more the discussion went on. Which I like. And now I got these images in my head which I think is essential for the whole discussion https://t.co/Ewrun7A6qF

To end this babbling thread I would like to share some artists I just came across and I think uses NFT or the computer in a great way.

Gn! Much Lovin!

@EmpressTrash @meelayya @CocoMagnusson @retormar

“Fishing relaxes me. It’s like yoga, except I still get to kill something.”

Ron Swanson Web2 and Web3

@humankernel_

Here are some more Icarus themed NFTs on #tez and @objktcom that I like. All very different takes on the myth based on the artists specific way of thinking and making art. I love how different they are.

@Micah_Alhadeff @IsolationistThe @ruartworks @dvrkbetrayed

I once wanted to make an interactive data globe, with comp screen surface, for schools. So you could teach visually about where certain dinosaurs existed, live meteorology, money flows, cultures, how people travelled through time. Time stamps etc
Can’t believe it’s not done yet.

In the beginning I said the artist have a (not) very defined style. With that I meant: all of @IsolationistThe paintings are portraits of seemingly faceless people. That is a defined theme with consistency. But how the identity, or “face”, is painted, is ever changing.

Isolationists portraits also remind me of photos with scraped faces. Old photos where someone, for some reason, has erased a face from the picture. One can only guess the reason (hate, death, don’t steal my soul). Spooky.

Here are some contemporary paintings with the same historical background. George Condo, Brian Calvin, Adrian Ghenie, Tchabalala Self. There are millions more.

It’s also amazing how easy @_noumenal can shift her style between the series. They all feel confident, legitimate… but she still work in her own field.
Here are the four different series. Notice the similarity between 1 and 3? But in 3 the digital paint is much more prominent.

Swedish concretist Olle Beartling had colour fields that continued outside of the canvas, forever, where the edges never met, like Xenon’s paradox. There is something romantic about that, that rules won’t apply to colour.