//=time() ?>
Huh? What do you mean, "where's Tenjian?"
Uh. Just. Pretend you're looking through his point of view in the last panel.
"Haha, there's no depiction of the Seraph airship, therefore I can draw it any way I want," I thought to myself last night.
Then I remembered that it very clearly appears in the first scene of Copen's intro stage. u__u
I've actually gotten really fond of drawing these flashback panels. I thank you, Default Clip Studio Dry Ink Brush. UwU
Thankfully, the snowfall that hit my area this morning tapered off by like, the early afternoon, so I managed to finish this page in proper time without any power or internet outages. UwU
Good lord, this is the 50th page and it came together so quickly compared to a lot of the other pages, haha.
I had a lot of fun with it, too.
I am once again drawing Asimov in a sinister way in a vertical panel on the right side of the page while also remembering that these events were mentioned briefly on page 7 already, halfway through drawing the page. u__u
Hmm, somehow, this page gave me a bit of trouble, but it's here and finished. :T
Oh. Huh. I guess since close-ups make up most of this page, I was able to finish it before 8 PM my time.
Neat. o__o
Okay drawing the Butterfly Effect with dramatic lighting really is pretty fun and also I figured out a better way to provide lighting to the image of it when I put that filter over it. :T