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@LaRilustra OLA VALE
Mi nombre es Manuel. Un monaguense que vivió en Caracas y ahora vive en BA, Arg. Me especializo en el dibujo de Cartoon, Ilustración vectorial y llevo un blog sobre dibujo :)
🔥Dribbble: https://t.co/eIgMrhuyzT
🔥Blog: https://t.co/mZpFo4QH4A
Good cartoon aesthetics could be argued to rely mainly upon the following:
• Simplification.
• Abstraction (or stylization).
• Exaggeration
• The development of a Distinctive Silhouette.
The first draft of everything is normally pretty lame. When we write something we normally have to rewrite it to make it better. “Nailing it” on the first try is fairly uncommon, and drawing is not different.
To define focal points, just think of what should be noticed first and what should be noticed later, then organize your shapes and lines to create contrast in there. This could be achieved through clearing the surroundings of a shape to make it pop against void space.
I'm working on an illustration project for Africa, India and China with an agency on Singapore and my contact is a French man who can speak Spanish because he lived in Colombia.
Now that's some Globalization.
Highly unbalanced things create lots of visual tension, and by contrast, evenly balanced things feel more calm or plain. You can think of this as a direct analogy to contrast among colors; high contrast creates tension, while low contrast creates uniformity and calmness.
Issue #6 is finished and publication on Issue #2 for the How to draw anything guide is dropping tomorrow at: https://t.co/OH6uW3dqeA
Drawing, like all of creation, is a process; it scales from simple to complex on rounds of iterations. Think of literally anything in nature: a tree is first a seed, then a sprout and only after it has a strong enough trunk it gets branches.
I spent years looking for "my own voice" and focusing on the fundamentals while trying different rendering styles; so I'm guessing that counts as my #4styles trip.