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There's a good 6 or 7 seasons of this stuff. Low-paid work but always pretty fun.
2012/13 Discover Bernie Fuchs et al. Steady work with The New Yorker, and can essentially thank them for pushing my style to realistism. Three years later I made the Planet of the Apes for Mondo. I don't think I was actually ready - I've been learning to draw along the way.
2011, and probably 6 months tops between the Home Sweet Home piece and the London traffic scene. Photoshop. Tadahiro Uesugi and the remnants of 2010's UPA/Cartoon Modern influences
@notanotheralex That's the idea - just put down the right details and let it do the talking. I love the challenge of it. Yes.. Sigh - had to put some clothes on him
Nightmare trying to find nuance and balance on this hand without being distracting. How am I doing?
Would like to toot my own trumpet for a second, the snake is looking damn good!