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I have to say I do wish more people liked engravings/etchings/prints more. Those have always been some of my faves, but I tend to enjoy more stylized artworks in general...
https://t.co/dESKlhxgPT
Various European depictions of Agrippine, Libyan, and Egyptian Sibyls c. 1500-1700. https://t.co/NEZjRbpHiz
@KitMickey If you look closely at the faces,you sorta go "ooooh". Overall it's relatively consistent with his bigger biblical & mythological scenes but those get seen less
Agostino Brunias
Two West Indian Women of Colour
England (c. 1780)
Oil on Canvas, 31.1 x 25.1 cm
Yale Center for British Art, Paul Mellon Collection
https://t.co/qRcoxLtF4f
Robert Mabon
Woman Sitting in a Chair
England (c. 1760s)
Watercolor Sketch, 20.6 × 13 cm.
The Yale Center for British Art, Paul Mellon Collection
https://t.co/aODniZbXC3
I'd assume this is the sketch used to model the monumental Portrait of Omai (Tate museum): https://t.co/oHTR6KDFjc
From a series of portraits (“Collection des généraux en pied”) representing Bonaparte and generals of the French Revolution. This one’s a portrait of General Thomas-Alexandre Dumas: https://t.co/Yggjd50DUd
Free eBook! Revealing the African Presence in Renaissance Europe, exhibition catalog from the Walters Museum: https://t.co/3LOrPJhuyJ
Broken, Defaced, Unseen: The Hidden Black Female Figures of Western Art
By Robin Coste Lewis
https://t.co/MBcPB1Qbam
Mattia Preti
Sophonisba receiving the poison (detail)
Italy (c. 1675)
National Gallery of Victoria, European Baroque and Rococo Art
photo by @francesdath via https://t.co/qGJRo6lDSk